Showing posts with label Lone Ranger. Show all posts
Showing posts with label Lone Ranger. Show all posts

Sunday, August 21, 2016

PEOPLE THAT MADE RADIO GREAT




I'll admit that I'm a day late on this, but August 20 is National Radio Day. Since I'm in the radio industry, I felt I should acknowledge that day. I've been planing this post for awhile. I like to talk about what makes radio great. Sadly, it has gotten me into trouble in the radio industry and at my job.

I used to get into discussions on statewide radio industry message board. Once there was a discussion on some of the greatest radio personalities and radio stations ever. I posted my thoughts on the subject. A person, who hosted a show on the radio station I worked for (he paid to be on the air), got upset because I didn't mention him or the radio station. He complained to my boss about my opinions and how he was slighted. The good news is this person is no longer in radio. The bad news is you don't want to know what this person is doing now.

This is a list of some of my favorite things about radio. This will be chronological to keep down arguments. I'm also keeping this national rather than local. I would love to do a post about local radio's influences on my career, but it wouldn't be of interest to very many people outside of Missouri. I'm sure the person mentioned above will be upset that his favorites are not going to be mentioned.



JACK BENNY - Benny was probably radio's first major personality and his show was a pop culture phenomenon. The catchphrases were everywhere, especially in the Warner Brothers cartoons. Benny created a persona for his radio show that was different from his real life self. Benny was a humble, very generous man, who was also a very competent violinist, but on radio, Benny played a conceded, tightwad, who was a horrible violin player. His show also created a strange fictional world that could have only exist on radio. He kept his money in an underground vault with multiple chains, steal doors, loud alarms, lions, gorillas, dragons and, most famously, a guard who had been on duty forever. He didn't know what a car, radio or movie was. Also Jack had his sarcastic African-American valet Rochester drive him around in worn out Maxwell car. The sound of the car was provided by Mel Blanc (he recycled the same voice for the 70s cartoon character Speed Buggy).


FRAN STRIKER - He was writer working at WXYZ in Detroit. He created The Lone Ranger and The Green Hornet.


In a 1970s poll, more people could recite the opening to The Lone Ranger than they could the Pledge of Allegiance.


ARCH OBOLER - Producer and creative mind behind the horror show Lights Out. Oboler used some graphic sound effects for people being electrocuted, monsters crushing their victims to death and chicken heart that grew to engulf a whole city.


ORSON WELLES - He made his first mark on radio as the voice of The Shadow and his playboy alter-ego, Lamont Cranston. He later created The Mercury Radio Theater of the Air, which produced a great version of Dracula. He produced and performed in a version of Heart of Darkness that Francis Ford Coppala says influenced Apocalypse Now. That would be enough, but his crowning achievement was his version of War of the Worlds, that mimicked radio news reports, blurred the line between drama and reality so well that it caused panic along the East Coast.


TODD STORZ - He watched a waitress use her tips to play the most popular hits on a juke box and thought "What if radio played only the top hits over and over?" He then created the Top 40 format at the exact birth of rock and roll in the mid 50s.



WOLFMAN JACK - Like Benny before him, Wolfman Jack created a persona. One of the longest lasting of the 50s era DJs with a werewolf howl, a raspy voice and hipster lingo. Really a quite guy named Bob Smith, who like to freak out radio station clients and young fans, by slipping into the Wolfman voice suddenly. George Lucas used this along with the real Wolfman Jack in American Graffiti. He then hosted the TV show The Midnight Special on NBC in the 70s.


GARY OWENS - A smooth talking, wise cracking DJ, who became famous outside radio and the announcer on TVs Laugh-In and the voice of cartoon superheroes Space Ghost and Blue Falcon.


BILL DRAKE - He took what Todd Storz created in the 50s and modernized it in the 60s. Consulting other radio stations on how to do it. He update the jingles from 40s sounding pop to a dynamic rock instrumental with vocals by the Johnny Mann Singers. He had radio stations remove the sales department from any decisions about programing, including getting rid of long form live ads. An tightened up the presentation to an art form. "AND THE HITS JUST KEEP A COMIN!"



THE REAL DON STEELE - Drake's big star at KHJ in Los Angeles. The epitome of loud, fast-talking radio DJs. Later appeared in the films Death Race 2000, Eating Raole, and Rock & Roll High School.


BIG DADDY TOM DONAHUE - The opposite of The Real Don Steele and Wolfman Jack, but belongs along side Storz and Drake. Began as a jazz DJ in San Fransisco, a general manager forced Drake to fire him because he couldn't talk fast enough. Donahue looked at the growing counter culture scene of San Fransisco Haight-Ashbury and created underground radio. Slower, quieter DJs playing long LP cuts. In the 70s, it morphed into AOR radio and influenced college/alternative radio of the 80s. His DJs included Sly Stone, Ben Fong -Torres and Howard Hessman from WKRP and Head of the Class.


BYRON MACGREGOR - Worked as a news director for the Drake consulted CKLW in Windsor, Ontario, a rimshot of Detroit, in the early 70s. Windsor had very little news, Detroit was coming unglued with so many murders that the morgue ran out of room. MacGregor's booming voice and envelope pushing "if-it-bleeds-it-leads" news writing became legendary. No truth to the rumor MacGregor lead a newscast with "A 5 year old boy was strained like spaghetti through the grill of a Buick today," but he did record a patriotic, spoken word record called "The Americans," that became popular again after 9-11-2001.


CASEY KASEM - Once referred to as "the man who taught America how to count backwards." The L.A DJ and cartoon voice over actor, created the syndicated radio show, The American Top 40 Countdown, where he played the hits, gave positive, uplifting stories about the artist, Billboard chart trivia, sappy, tearjerker dedications, and turned rock and roll into a kind of cross between sports coverage and a soap opera. He always closed with "Keep your feet on the ground and keep reaching for the stars."


DR. DEMENTO - A musicologist and music historian, who introduced audiences to some of the strangest novelty and comedy records ever made on his syndicated radio show of the 70s and 80s. He also is credited with playing homemade tapes by a listener named Weird Al Yankovic.   

And those are the people who not only made radio great, but inspired my career in radio.  

Saturday, December 21, 2013

ELF ON THE SHELF - DISCO ERA


The "Elf On The Shelf" has never been a stranger to me or at least the image of the elf has never been a stranger. The "Elf" was a part of my childhood before there was a story or name. My sister has an "Elf" from her childhood that looks identicle to the one in the The Elf On the Shelf book.

My mother bought this one and a whole box of smaller ones in the early 70s. They either came from the Ace Hardware or Matinglys in Lebanon, MO (We can't remember which one it was). This one is obviously wearing his disco clothes. Silver lame suit trimmed in fur and a gold foil bow-tie with a gigantic bell on his cap. Nothing says Christmas like a styling 70s elf. He doesn't move around like the one in the story, but I did prop him up to take this photo with my phone (I may try to retake this with a real camera). Note: the "Elf" is sitting on a DVD of the Filmation The New Adventures of the Lone Ranger cartoons from the 80s.

Sunday, December 15, 2013

CAPTAIN ACTION: THE FIRST SUPERHERO ACTION FIGURE

CLICK TO ENLARGE
This post was inspired by several incidents. First off, this classic toy from the 60s is back again. I bought one for my great-nephew Carson (named after Johnny Carson), because I was born to late to have one of the originals. I bought it  and a Spider Man costume back in January of this year. last month, Retrospace featured a comic book ad for Captain Action toys. Yesterday, Pam of Go Retro posted a clip she found on You Tube of a family's Christmas home movies from 1966. She mentioned that in her post on Facebook, that a little boy in clip received Superman and Lone Ranger action figures as presents. Before even watching the the footage, the boy had received a Captain Action with a Superman outfit and a Lone Ranger outfit, because in 1966, Captain Action was the only superhero action figure.


The history of Captain Action is interesting. Most people saw Captain Action as Ideal Toys' oddball knock off of Hasbro's G.I. Joe. The truth is both were the creation of the same guy, Stan Winston. He took the money he earned from G.I. Joe and created a company to licence famous characters for toys. He pitched an idea to ideal called Captain Magic, a soldier who could change into various comic book superheroes. He would go the "accessories sold separately" route, but with the emphasis that had made Mattel's Barbie a success: clothes.

The backlash against "war toys" and the sudden success of the Batman TV series, as well as Saturday morning cartoons about Superman, Lone Ranger, Captain America and Aquaman, Ideal ran with Captain Action. Besides outfits of the five superheroes mentioned above, Captain Action could also dress as The Phantom, Flash Gordon, Steve Canyon and Sgt. Nick Fury.

Now, The Phantom and Flash Gordon still make perfect sense to us in 2013, because they are still in newspapers as well as  having been the subject of movies with the last thirty years. Sgt. Nick Fury and Steve Canyon may not seem like good choices. Sgt. Nick Fury and Steve Canyon were obviously included for the G. I. Joe fans. The Sgt. Fury outfit was basically camo fatigues, a helmet and guns. Steve Canyon's outfit was a pilot jumpsuit, helmet with oxygen mask and parachute. Ideal had been successful with Steve Canyon toys during the height of the character's popularity in the 50s, when it was in newspapers, comic books and a TV series. About the time Captain Action was introduced, Marvel Comics changed Sgt. Nick Fury into Secret Agent Nick Fury of SHIELD. Steve Canyon shifted from adventure strip about a jet pilot to soap opera strip about an aging jet pilot with a mild case post-traumatic stress disorder.

Captain Action was a hit, so Ideal added outfits for Buck Rogers, the Green Hornet and Spider Man. Here began more problems along the line of the Sgt. Fury and Steve Canyon dilemmas. The Green Hornet TV show was cancelled about the time the outfit hit the stores and the Buck Rogers comic strip was cancelled after the outfit was released. Spider Man had a successful cartoon on TV but didn't sell well. For one thing, it didn't look quite like Spider Man and one of his accessories was a hand saw (?). The original Spider Man outfit is highly collectible. One smart change to the original outfits was to change the Lone Ranger outfit from the red shirt and black jeans used in the newspaper comic strip to the blue jumpsuit he wore in the movies and TV shows.


Idea also added a Action Boy doll that could be dressed as Robin, Aqualad and Superboy. They also added the Silver Streak vehicle and Dr. Evil, Captain Action's creepy looking mad scientist arch-enemy. Sadly, in 1969, Ideal dropped Captain Action. The superhero craze was fizzling out and replaced by space travel toys inspired by the real life moon landings. Another problem was the cost of licensing of characters and a few missteps such as Buck Rogers and Green Hornet hurt financially. Unlike G. I. Joe, who reinvented himself as an adventurer with a fuzzy beard and kung-fu grip, Captain Action disappeared into toy history.

One thing you will notice when you see the 60s Captain Action in the uniforms, by today's standards, they don't look very good. Of course, this was the first and only superhero action figures available in the 60s. Baby Boomers had no choice. 

A company called Playing Mantis revived Captain Action in the late 90s. As with Ideal, the Playing mantis found Captain Action to be very costly. Another thing about Playing Mantis was they sold the Captain Action doll and uniform together in many cases. Playing Mantis ceased production by 2000. They only made Green Hornet, Flash Gordon, Lone Ranger and the Phantom, as well as Kato, Tonto and Ming the Merciless. No DC or Marvel characters were produced which is a shame considering the 90s uniforms were an improvement over the 60s uniforms.

In April 2012, a company called CA Enterprises released a new version of Captain Action. The new incarnation of Captain Action comes in both the classic look as well as a white and blue Arctic Adventure suit. The superhero uniforms are all Marvel characters (Captain America, Spider Man, Thor, Iron Man and Wolverine). They are well designed and great looking, unlike the original 60s uniforms.

They say things eventually come back and Captain Action is a good example.

Here is the original TV commercial.

 


Sunday, June 30, 2013

FRUSTRATIONS OF A SUPERHERO FAN IN THE OZARKS

Before I begin this post, I want to point you in the direction of two great post on other retro blogs. Plaid Stallions has a podcast about being a young superhero fan in the 70s. Also, Retrospace has a great post about The Incredible Hulk TV series of the late 70s/early 80s.

The Plaid Stallions podcast brought back some memories for me, both good and bad. One point they make is, for must of the early to mid 70s, live-action and animated superheroes in movies and TV was few and far between. Today, we have two or three superhero movies released each summer, but until the late 70s you didn't get any superhero movies. Even after the success of Superman the Movie and the Incredible Hulk TV show, there wasn't very much produced in that vain.

There was older stuff that you read about in an article in Starlog, TV Guide or some other magazine, but there wasn't home video and you were at the mercy of local TV or the networks. This was also at a time where cable systems stopped at the city limits.

I was (and still am) a hard core superhero fan, which has made me a pariah here in the Ozarks. From the time I was about six or seven, adults told me that "superheroes are not real." Other kids (also about six or seven) would tell me "superheroes are for babies," they told me they were dating, which explains why they married early and now are bitter adults post that "kids-today-are-stupid" crap on Facebook.

In many areas of the country, children came home from school to watch reruns of Batman, The Adventures of Superman, Tarzan, or possibly, the Japanese superhero TV show, Ultraman. We had none of that here in the Ozarks. The closest TV market for Batman in this area was Joplin (Okay, I realize some syndication contracts at that time were written so there were non-compete clauses - so maybe Joplin conflicted with Springfield).

If we got a superhero TV show or cartoon on local TV, it was for a brief time. When I was in the second grade, KYTV began running The Lone Ranger series everyday at 4 p.m. Not sure how long they ran it, but I watched it every afternoon.      


At some point, while I was in fourth grade, KOLR began showing the 60s Spider-Man cartoons, but his too was brief.




The only superhero that was on Springfield TV on a very regular basis was Underdog, which was a on-again-off-again afternoon staple on KOLR for many years. Occasionally, Young Sampson would turn up during the summer.

Also, channel 27 (Then known as KMTC) would air The Mighty Hercules at 6 a.m on Saturday and Sunday mornings.

While I mentioned The Lone Ranger (Calling him a superhero might be debatable), I skipped some of the sci-fi shows like Star Trek, Six Million Dollar Man and Buck Rogers, since I wanted to focus on the concept of the superhero ideal not fitting into the Ozarks' mentality.

Some would say, "Why complain about this? You saw them at some point. Get over it!" I wouldn't be as upset if there had been more variety in the mix, but you must understand that M*A*S*H has played on local TV in Springfield since it entered syndication in 1979 and Little House On the Prairie was shown several years in this market from the time it entered syndication. I should also note that these shows were still in production and airing on network television when they turned up in reruns on Springfield TV stations.  

One of the common things I heard growing up and even after I got involved in the media was that "older people don't like that stuff." Does everything in Springfield and the Ozarks have to be approved by old people? I assume old people like infomercials and those bad shows where a white judge yells at a young African-American guy about being "irresponsible." I'm sure in the future we can look forward to reruns of Duck Dynasty.

After growing up and working among people in the Springfield and Ozarks, I realized why so many in this area frown on superheroes. The superhero believes in helping the weak and oppressed for free. Consider the Lone Ranger's creed, which features the passages:
"That all men are created equal and that everyone has within himself the power to make this a better world." 
"That men should live by the rule of what is best for the greatest number."
Neither of these would be uttered by any of my classmates from Lebanon High School or any Springfield businessman. In a Lone Ranger episode entitled "The Law Lady," the Lone Ranger tells Tonto that Wyoming recently passed a law granting women the right to vote. Tonto says that he thinks that is a good idea. "It is a good idea, Tonto. Someday every woman in the Untied States will have that right," the Lone Ranger states. Of course, some local talk radio show host of the past said that only wealthy male land owners should be allowed to vote. I'm going to side with the Lone Ranger on this subject. I was shocked to see on You Tube some comments under some of the Lone Ranger episodes that people think the Lone Ranger killed and even lynched "troublemakers." If you go back to the origin story, the Lone Ranger tells Tonto he will not kill anyone. In several episodes, the Lone Ranger and Tonto stop lynchings, because everyone deserves a fair trial. I think these people commenting on You Tube (Mainly bigots comment on You Tube) are thinking of another group of masked riders...the Klu Klux Klan.

I guess Ozarkers would accept superheroes if they were more like business people and talk radio host. If someone was to create a superhero, who charged an exorbinant fee for his services, only helped white, wealthy, Republican heterosexuals and frequently lectured young people, while dressed in bib overalls, a John Deer cap and a Confederate flag for a cape, then Ozarkers would support the idea of a superhero.

I feel that my love of superheroes has made me the person I am today. I also have never been arrested or had a brush with the law of any kind. I believe in equality, fairness and helping others. Of course, that is why I'm considered the SUPER-VILLAIN of the Ozarks!!! mwu-HAHAHAHAHAHAHAHA!!! 


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